Who impacted E.E. Cummings the most?
American writers such as Gertrude Stein, E.E. Cummings, Ernest Hemingway, Robert Frost, and William Faulkner aptly portray the disagreements literarily, socially, and morally between the reality and the ideal of life for American citizens of the modernist era. It is perhaps from these authors that citizens of this period received inspiration to shatter the typical American image placed before them by previous generations.
Many people had an impact on E.E. Cummings and his passion for writing. One of the earliest influences in his life was his father. His father pushed him to be the best he could be and encouraged him to always work toward improving his gift of creativity. After one of his father’s commencement addresses, which pushed modernistic viewpoints, E.E. Cummings decided this would entail which direction his own work would take. http://www.english.illinois.edu/maps/poets/a_f/cummings/cummings_life.htm Another influential person in E.E. Cummings life was Gertrude Stein and Amy Lowell. Cummings used their idea of imagistic experiments. His early poems discovered an individualistic way of describing the chaos and immediacy of intense experiences. http://www.daltonstate.edu/faculty-staff/bmurray/EXEMPLAR/exemplar%202004/exemplar2004/exemplar04modernism.html The informal language and lyric form combined with their deliberate simplistic view of the world gave Stein and Lowell the glee and intelligent tone which became a hallmark of Cummings’s work. Love poems, ironic squibs, and descriptive nature poems will always be his favored forms. This video tells more about his type of work. http://video.about.com/poetry/Poet–E–E–Cummings.htm
In my opinion, Cummings had a lot of influence and his dad probably had the biggest influence. Nothing compares to a parent’s motivation and encouragement. Even in my life, there was nothing more rewarding than having my parent or parents supporting and motivating me to be everything that I could be or simply wanted to be.
E.E. Cummings audaciously and deliberately attacks American capitalism in his work, “Poem, or Beauty Hurts Mr. Vinal.” Just by looking at the picture below and the way he carries himself, you can tell he was very out right and did not care to voice his opinion.
He mixes patriotic songs with advertisement jingles, and by virtue of the title, asks Americans which evil the sarcasm of his poem or the beauty promised by manufactures will hurt them more. His creative grammar, like that of Gertrude Stein, is also an obvious rebellion at the norm. Cummings begins his work by addressing his readers in a very informal term “kiddo” (Cummings 1). There are no capitalizations in the address, on the beginning word of the poem, or in usual places customary to modern English sentence structure. In one instance, he reserves five stanzas for the word “America” to be spelled. The most rebellious elements of his work, however, are his allusions to an otherwise constipated American society that finds relief in a quick fix.